For use in article section "Revolver and Sgt. Pepper". The image is used for explication of critical commentary on the cover image and its significance, as well as for identification in the context of critical commentary of the work for which it serves as cover art. The image is iconic, one of the best known in international popular culture (see, e.g, Ashplant, T.G., and Gerry Smyth [2001], Explorations in Cultural History, ISBN 978-0745315126: "arguably the most famous music album cover in history" [p. 185]). In the immediate context, the ability to view the image specifically explicates elements of the article, including how the cover's elaborate nature prompted great interest and deep study (Source: Gould, Jonathan [2008], Can't Buy Me Love: The Beatles, Britain and America, ISBN 978-0749929886, p. 520); the cultural impact of The Beatles' particular new style of facial hair, visible for the first time on an album cover, on counterculture style (Source: The Beatles [2000], The Beatles Anthology, ISBN 978-0811826846, p. 236); and the anti-establishment symbolism of the unusual outfits they are wearing (Source: Harris, Jonathan [2005], "Introduction: Abstraction and Empathy—Psychedelic Distortion and the Meaning of the 1960s", in Grunenberg, Christoph, and Jonathan Harris, eds. Summer of Love: Psychedelic Art, Social Crisis and Counterculture in the 1960s, ISBN 978-0853239192, pp. 12–13). In addition, in the general context of the article, it also shows the substantial transformation of the band's image from only three years earlier; the cultural impact of their visual style and its transformations throughout their career is an important element of the band's significance (Source: Gould, ibid, p. 345). As described in the accompanying text, the album is itself of exceptional significance (Source: Gould, ibid, p. 418; Rolling Stone—ranked greatest album of all time). The use of the image in this location and context makes a significant contribution to the user's understanding of the article, which could not practically be conveyed by words alone。
Section。本图用于作品的相关评论，对于用户对条目的理解起着无法为语言替代的重要作用。 For use in article section, "the Beatles". The image is used for explication of critical commentary on the cover image and its significance, as well as for identification in the context of critical commentary of the work for which it serves as cover art. The image is iconic, one of the best known in international popular culture (see, e.g, Ashplant, T.G., and Gerry Smyth [2001], Explorations in Cultural History, ISBN 978-0745315126: "arguably the most famous music album cover in history" [p. 185]). In the immediate context, the ability to view the image specifically explicates elements of the article, including how the cover's elaborate nature prompted great interest and deep study (Source: Gould, Jonathan [2008], Can't Buy Me Love: The Beatles, Britain and America, ISBN 978-0749929886, p. 520); the cultural impact of The Beatles' particular new style of facial hair, visible for the first time on an album cover, on counterculture style (Source: The Beatles [2000], The Beatles Anthology, ISBN 978-0811826846, p. 236); and the anti-establishment symbolism of the unusual outfits they are wearing (Source: Harris, Jonathan [2005], "Introduction: Abstraction and Empathy—Psychedelic Distortion and the Meaning of the 1960s", in Grunenberg, Christoph, and Jonathan Harris, eds. Summer of Love: Psychedelic Art, Social Crisis and Counterculture in the 1960s, ISBN 978-0853239192, pp. 12–13). In addition, in the general context of the article section, it also shows the substantial transformation of the band's image from only three years earlier; the cultural impact of their visual style and its transformations throughout their career is an important element of the band's significance (Source: Gould, ibid, p. 345). As described in the accompanying text, the album is itself of exceptional significance (Source: Gould, ibid, p. 418; Rolling Stone—ranked greatest album of all time). The use of the image in this location and context makes a significant contribution to the user's understanding of the section, which could not practically be conveyed by words alone。 为此目的使用并不会与原作的意图（如作者的图像设计服务及被展示音乐作品的市场销售）形成竞争。
