歐陸節拍
（重新導向自Eurobeat）
| 歐陸節拍 Eurobeat | |
|---|---|
| 風格起源 | |
| 文化起源 | 英國歐陸節拍： 20世紀80年代中期，File:Flag of the United Kingdom (1-2).svg 英國 當代歐陸節拍： 20世紀80年代後期File:Flag of Italy.svg 意大利、File:Flag of Germany.svg 西德、File:Flag of Japan.svg 日本 |
| 融合類型 | |
| 日本流行音樂[4][5] | |
| 地區樂壇 | |
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| 其他主題 | |
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歐陸節拍（英語：Eurobeat）是一種音樂類型，可以指兩種起源於歐洲的舞曲音樂風格：一種是受意大利歐陸迪斯科影響的英國舞曲流行樂，另一種是以高能量音樂為主導的意大利迪斯科舞曲。這兩種形式均在20世紀80年代開始發展。
製作人三人組斯托克·艾特肯·沃特曼和流行樂隊Dead or Alive（直譯：死或活）使歐陸節拍在美國和東南亞更加流行；在那裏，歐陸節拍曾被稱為高能量（hi-NRG，發音為「high energy」，直譯：高能量）。它曾短暫與早期的自由式音樂和意大利迪斯科共享這個名稱。
雖然源自歐洲，歐陸節拍傳到日本後因為合成音樂及活潑的風格而大受歡迎，日本也成為該風格的主要市場[6]。
歐陸節拍也因作為重野秀一的漫畫《頭文字D》的動畫版中賽車的配樂而廣為人知。
音樂[編輯]
代表歌手及組合[編輯]
歐洲[編輯]
美洲及澳洲地區[編輯]
日本[編輯]
台灣[編輯]
腳註[編輯]
參見[編輯]
參考文獻[編輯]
- ^ 1.0 1.1 Arena, James. Europe's Stars of '80s Dance Pop. McFarland. 2017: 85 [2020-01-29]. ISBN 9781476630144.. Relevant pages 29-32 (Pete Burns), Pages 44 & 85 (high-energy music). Page 29 quote: "I got really sick working with them during the making of the Mad, Bad album. I got really, really sick." [...] The Stock Aitken Waterman team was reportedly quite firm about adhering to their production methods and concepts, which Burns said was a major source of friction. "That's why we eventually walked away from them. For instance, there was a lyric from 'Something in My House' [from the follow-up album, Mad, Bad and Dangerous to Know] where I make a reference to a 'wicked queen.' The actual producer, Mike Stock, stopped me and said I couldn't use the term because it would mean the record is about gay people. I was like, 'Fuck this; it's going on!' They actually wiped the original vocal, but then Pete Waterman came back and said, 'Let [Burns] do it the way he wants to.' There you go."
- ^ Cunningham, Mark "Good Vibrations: A History of Record Production" (Sanctuary Music Library), Alan Parson (Introduction), Brian Eno (Introduction) Sanctuary Publishing, Ltd; 2 edition (1998, Digitized 20 May 2010). ISBN 1-86074-242-4, ISBN 978-1-86074-242-2
- ^ 3.0 3.1 David D. Laitin, Robert Schuman Centre (2000). Culture and National Identity: "the East" and European Integration. European University Institute. Page 14.
- ^ Keizai, Kokusai & Zaidan, Kōryū (cont.) "Japan Spotlight: Economy, Culture & History, Volume 23". Page 24 (Ng Wai-ming: "The Rise of J-Pop in Asia and Its Impact"). Japan Economic Foundation & the University of California. 2004. Quote: "JAPANESE pop music is commonly I referred to as "J-pop", a term coined by Tetsuya Komuro the "father of J-pop", in the early 1990s. The meaning of J-pop has never been clear. It was first limited to Euro-beat, the kind of dance music that Komuro produced. However, it was later also applied to many other kinds of popular music in the Japanese music chart, Oricon, including idol-pop, rhythm and blues (R&B), folk, soft rock, easy listening and sometimes even hip hop."
- ^ Society for Asian Music (2003). "Asian Music: Journal of the Society for Asian Music, Volume 34, Issue 1". Page 1 ("Japanese Popular Music in Singapore"). The University of California.
- ^ Avex Trax , J-EURO （頁面存檔備份，存於互聯網檔案館） （日語）
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